Tallapaka Annamacharya (; 9 May 1408 – 23 February 1503), also known as Annamayya, was a Telugu composer and Hindu saint. Born in Thallapaka, he composed devotional songs known as saṁkīrtanas in praise of Venkateswara, a form of Vishnu.Annamacharya is widely regarded as one of the earliest known composers to systematically use the devotional saṁkīrtana format in Telugu devotional music..

Traditional accounts attribute nearly 32,000 devotional compositions to Annamacharya, many of which were later recovered from copper plate manuscripts preserved at Tirumala. . His kirtanas are classified into adhyatma (spiritual) and sringara (romantic) genres and are Musicologists and cultural scholars regard Annamacharya’s compositions as foundational influences on later Carnatic devotional and lyrical traditions. .Several of Annamacharya’s compositions promoted spiritual equality and criticised caste discrimination, leading later scholars to describe him as an early social reformer.

alt=ఇది కళ్యాణవేంకటేశ్వర ఆలయమునందు తీసింది |thumb|తాళ్లపాక అన్నమాచార్యులు

Within the Sri Vaishnava devotional tradition, Annamacharya is revered as a divinely inspired saint associated symbolically with Nandaka, the celestial sword of Vishnu, the sword of Vishnu.. Annamacharya is often honoured in Telugu literary tradition with the title ‘Āndhra Pāḍākavita Mahāpita’, recognising his pioneering contribution to Telugu devotional lyricism ,("Grandfather of Telugu Songwriting").

Personal life

Annamacharya was born in Tallapaka village, near present-day Rajampet in Andhra Pradesh, and his birth anniversary continues to be commemorated annually through devotional and cultural events..In the year Sarwadhari (22 May 1408) in Tallapaka, Near Rajampet Mandalam, a village in present-day Annamayya district of Andhra Pradesh, India. Even though his parents belonged to the Nandavarika Niyogi Brahmin community of Smarta tradition,After embracing the Sri Vaishnava tradition, Annamacharya is believed to have studied devotional philosophy and sacred literature associated with the Vishishtadvaita tradition at Ahobilam.and became a Vaishnava of the Ramanuja Sri Vaishnava Sampradaya tradition. He decided to go to Ahobilam in order to receive instructions from Satakopa Swami, the founder of Ahobila Matha. He spent many years in Ahobilam where he acquired the knowledge of Naalayira Divya Prabandham and the philosophy of Vishishtadvaita.Timmakka, wife of Annamacharya, is traditionally regarded as one of the earliest known female poets in Telugu literature and is credited with the work ‘Subhadra Kalyanam’..Members of the Tallapaka lineage, including Pedda Tirumalacharya and Chinnanna, continued the family’s devotional literary and musical traditions for generations. . The Tallapaka literary and musical tradition significantly influenced the evolution of Telugu devotional compositions and later Carnatic music traditions. How Annamacharya kirtanas are a treasure trove of emotions.Annamacharya’s death anniversary continues to be observed through annual spiritual, musical, and literary commemorations organised in Tallapaka and Tirumala.TTD to observe 514th Annamacharya Vardhanti on March 24.until Phalguna Bahula (Krishna) Dvadashi (the twelfth day after the full moon) in the year Dhundhubhi (4 April 1503).

thumb|A statue of Tallapaka Annamacharya situated at the Sarada River Park in Anakapalle, Andhra Pradesh.

Literary career

thumb|10-story tall statue of Annamacharya located at the entrance of Tallapaka.

Annamacharya is traditionally believed to have composed around 32,000 sankirtanas dedicated primarily to Lord Venkateswara, though only a portion of these compositions survive today.samkirtanas (songs) on the praise of Venkateswara of which only about 12,000 are available today. He is also the author of musical treatise called "Saṁkīrtana Lakṣaṇamu".

Annamacharya viewed his devotional compositions as spiritual offerings to Lord Venkateswara, expressing surrender, devotion, philosophical reflection, and divine love through poetry and music. In the poems, he praises the deity, describes his love for him, argues and quarrels with the deity, confesses the devotee's failures and apprehensions, and surrenders himself to Venkateswara. His compositions are broadly classified into Adhyatma (spiritual-philosophical) and Shringara (devotional-romantic) categories, reflecting both metaphysical devotion and poetic expressions centred on Lord Venkateswara and Goddess Alamelu Manga. His songs in the sringara genre worship Venkateswara by describing the romantic adventures of the deity and his consort Alamelu, while others describe the bhakti of his devotees.

In his later Samkeertanas, he espouses subjects such as morality, dharma, and righteousness.Several scholars and cultural commentators describe Annamacharya as an early social reformer whose compositions emphasised spiritual equality beyond caste and social divisions.Scholars say Annamacharya was a social reformer in his era, with his samkirtanas explaining that the relationship between God and humans is the same irrespective of the latter's colour, caste and financial status, Compositions such as ‘Brahmam Okate’ are frequently cited for promoting the idea of universal spiritual equality irrespective of caste, wealth, or social status.

Legacy

thumb|right|2004 Indian stamp of Annamacharya

While he enjoyed popularity in his days, his compositions were forgotten for over three centuries. Mentioned in 1849, they were later found engraved on copper plates, hidden for centuries inside the Venkateswara temple at Tirumala, just opposite the hundi, concealed in a very small room. An English translation of 150 of these verses was published in 2005.

Tirumala Tirupati Devasthanams, also known as TTD, has been endeavouring to preserve the rich heritage of his compositions. In the year 1950, The State Government of Andhra Pradesh created a committee and appointed the musician late Dr. M. Balamuralikrishna as its head. He set music to over 800 compositions of Annamacharya. He was the Āsthāna Gāyaka of the Tirumala temple at Tirupati for two decades. Dr. M. Balamuralikrishna played a major role in reviving and popularising Annamacharya Sankirtanas through classical concert performances, recordings, and compositions set to music by TTD initiatives. He was also an acclaimed poet, singer, and musicologist. Renderings of Annamacharya compositions by renowned Carnatic vocalist M. S. Subbulakshmi helped introduce the saint-composer’s works to wider Indian and international audiences.

Shobha Raju is the first recipient of the Tirumala Tirupati Devasthanams scholarship in 1976 to study and set a trend for the propagation of Annamacharya's compositions, and was also chosen as the first exclusive artiste for the propagation of Tallapaka's compositions in 1978. Her first audio album, "Vēnkatēśvara Gīta Mālika" is globally popular among the Telugu community. She is the founder of Annamacharya Bhavana Vahini (ABV) in 1983, which is located in Hyderabad, India. She has been awarded Padmashri by the Government of India, in 2010 in recognition of her efforts to promote Annamayya Compositions. Garimella Balakrishna Prasad significantly contributed to the preservation and propagation of Annamacharya’s compositions by tuning hundreds of songs, conducting workshops, publishing notations, and performing globally through TTD programmes.

In 1994, reputed Bharathanatyam artist Parvathi Ravi Ghantasala, also the daughter-in-law of the singer Ghantasala Venkateswara Rao, for the first time produced and presented a mammoth dance production as a tribute to the divine composer titled "Annamaiyah". Rare and popular songs were woven into a story format and music by stalwarts was set to action. This production was inaugurated by the former President of India R. Venkatraman and Bharat Ratna-winning singer M. S. Subbulakshmi and later that year for the Tirumala Brahmotsavam. Dance productions inspired by Annamacharya’s compositions helped reinterpret his devotional poetry for Bharatanatyam audiences and contributed to renewed cultural interest in his literary heritage.

The 1997 Telugu devotional biographical film ‘Annamayya’, directed by K. Raghavendra Rao and starring Nagarjuna, played a major role in reviving popular interest in the saint-composer among younger audiences. .It starred Nagarjuna in the lead role as Annamacharya and also featured Suman as Venkateswara and Bhanupriya as Goddess Padmavati in important roles.

Digital platforms and contemporary renditions of Annamacharya compositions such as ‘Brahmam Okate’ introduced his devotional works to global online audiences and younger listeners.. As of early 2019, this video alone (produced by Kuldeep M. Pai) has garnered over 11 million views and made the child singers Sooryagayathri and Rahul Vellal household names for their flawless rendering of the classic keerthana. Professional singers P. Unnikrishnan and Sreeranjini Kodampally have their performances of the composition on YouTube.

Compositions

This is a partial list of some of the most famous Tallapaka Annamacharya compositions.

  • Note – (చ=Ca; ఛ=Cha; శ=Śa; ష=Ṣ. For more see Romanization of Telugu)

{|class="wikitable"

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! Composition !! Rāga!! Tāla|| Music Set By !! Language !! Notes

|-

| Adivō Alladivō Śriharivāsamu <br/>అదివో అల్లదివో శ్రీహరివాసము|| Madhyamavati || Adi || Dr. Shobha Raju || Telugu||

|-

| Alara Cañcalamaina Ātmalanduṇḍa <br/>అలర చంచలమైన ఆత్మలందుండ|| Rāga mālika || khanDa cApu || Garimella Balakrishna Prasad || Telugu||

|-

| Alarulu Kuriyaga Āḍinadē <br/>అలరులు కురియగ ఆడినదే|| Sankarabharanam || || Rallapalli Ananta Krishna Sharma|| Telugu||

|-

| Anni Mantramulu Indē Āvahiñcenū<br/>అన్ని మంత్రములు ఇందే ఆవహించెనూ || Amritavarshini || || || Telugu||

|-

| Antarangameḷḷa Srihariki <br/>అంతరంగమెళ్ళ శ్రీహరికి|| || Adi (Tisra Nadaka) || Nedunuri Krishnamurthy || Telugu||

|-

| Antaryāmi Alasiti Solasiti <br/>అంతర్యామి అలసితి సొలసితి|| Shivaranjani || || || Telugu||

|-

| Bhāvayāmi Gōpālabālaṁ Manassēvitaṁ <br/>భావయామి గోపాలబాలం మనస్సేవితం || Yamunā Kaḷyāṇi || Khanda Chapu || Kadayanallur Venkataraman || Sanskrit||

|-

| Bhāvamulōna Bāhyamunandunu <br/>భావములోన బాహ్యమునందును|| Śuddha Dhanyasi || Adi || Nedunuri Krishnamurthy|| Telugu||

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| Brahma Kaḍigina Pādamu <br/>బ్రహ్మ కడిగిన పాదము || Mukhāri || Adi || Rallapalli Ananta Krishna Sharma|| Telugu||

|-

|Brahmaṁ Okaṭē

బ్రహ్మం ఒకటే

|Bowli

|Adi

|Dr. Shobha Raju

|Telugu

|Tatva Prabōdha Kīrtana

|-

| Cakkani Talliki Chāṅgubhaḷā <br/>చక్కని తల్లికి ఛాంగుభళా || | || || || Telugu

|

|-

| Cāladā Harināma Saukhyāmr̥tamu <br/>చాలదా హరినామ సౌఖ్యామృతము|| || || || Telugu||

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| Cēri Yaśōdaku Śiśuvitan̆ḍu <br/>చేరి యశోదకు శిశువితఁడు||Mohanam || Adi || || Telugu||

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| Candamāma Rāve Jābilli Rāve <br/>చందమామ రావే జాబిల్లి రావే|| || || || Telugu||

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| Dēvadēvaṁ Bhajē Divya Prabhāvaṁ <br/>దేవదేవం భజే దివ్య ప్రభావం|| Hindolam || Khanda Chapu || Sripada Pinakapani|| Sanskrit||

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| Ḍōlāyāṁ Cala ḍōlāyāṁ <br/>డోలాయాం చల డోలాయాం ||Khamas || Thisra Adi || || Telugu||

|-

| Ēmakō Ciguruṭadharamuna Eḍaneḍakastūri Niṇḍenu <br/>ఏమకో చిగురుటధరమున ఎడనెడకస్తూరి నిండెను|| || || ||Telugu||

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| Ē Purāṇamuna Enta Vedakinā <br />ఏ పురాణమున ఎంత వెదకినా|| || || || Telugu||

|-

| Govindāśrita Gōkula Br̥ndā <br/>గోవిందాశ్రిత గోకుల బృందా || Madhuvanti|| || || Telugu||

|-

| Harināmame Kaḍu Ānandakaramu <br/>హరినామమే కడు ఆనందకరము || Jonpuri || || || Telugu||

|-

| Indariki Abhayammuliccu Cēyi <br/>ఇందరికి అభయమ్ములిచ్చు చేయి || || || || Telugu||

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| Ippuḍiṭu Kalagaṇṭi <br/>ఇప్పుడిటు కలగంటి || || || || Telugu||

|-

| Itarulaku Ninneruga Taramā <br/>ఇతరులకు నిన్నెరుగ తరమా || || || || Telugu||

|-

| Jō Acyutānanda Jō Jō Mukundā <br/>జో అచ్యుతానంద జో జో ముకుందా|| Navroj || || || Telugu||

|-

| Kaṇṭi Śukravāramu Gaḍiyalēḍiṇṭa <br/>కంటి శుక్రవారము గడియలేడింట || || || || Telugu|| '

|-

| Koṁḍalalō Nelakonna Kōnēṭi Rāyaḍu Vāḍu <br/>కొండలలో నెలకొన్న కోనేటి రాయడు వాడు|| Hindolam || || || Telugu||

|-

| Kṣīrābdi Kanyakaku Śrīmahālakṣmikini <br/>క్షీరాబ్ది కన్యకకు శ్రీమహాలక్ష్మికిని|| Kurinji(raga)|| Khanda Chapu |||| Telugu||

|-

| Kulukaka Naḍavarō Kommalārā <br/>కులుకక నడవరో కొమ్మలారా || Atana || Adi || || Telugu|| '

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|Mādhava Kēśava Madhusūdhana <br/>మాధవ కేశవ మధుసూదన || Kapi || Adi || ||Sanskrit||

|-

| Mēdini Jīvula Gāva Mēlukōvayyā <br/>మీదిని జీవుల గావ మేలుకోవయ్యా || || || || Telugu||

|-

| Muddugārē Yaśōda Muṅgiṭa Mutayamu Vīḍu <br/>ముద్దుగారే యశోద ముంగిట ముత్యము వీడు || Kuranji || Adi || Nedunuri Krishnamurthy|| Telugu||

|-

| Mūsina Mutyālakēlē Moragulu <br/>మూసిన ముత్యాలకేలే మొరగులు|| || || || Telugu||

|-

| Nallani Mēni Nagavu Chūpulavāḍu <br/>నల్లని మేని నగవు చూపులవాడు || || || || Telugu||

|-

|Namō Namō Raghukulanāyaka

నమో నమో రఘుకులనాయక

|Nattai

|

|

|Sanskrit

|

|-

| Nānāṭi Batuku Nāṭakamu <br/>నానాటి బతుకు నాటకము || Rēvati || Adi || Nedunuri Krishnamurthy|| Telugu||

|-

| Nārāyaṇa Tē Namō Namō<br/>నారాయణ తే నమో నమో || Bihag || Adi || '|| Sanskrit||

|-

| Neyyamullallō Nērēḷḷo Voyyana Ūreḍi Uvviḷḷō<br/>నెయ్యములల్లో నేరేళ్ళో వొయ్యన ఊరెడి ఉవ్విళ్ళో || || || || Telugu||

|-

| Nityapūjalivivō Nericinānōhō <br/>నిత్యపూజలివివో నేరిచినానోహో || || || || Telugu|| '

|-

| Paluku Tēnelatalli Pavaḷiñcenu <br/>పలుకు తేనెలతల్లి పవళించెను || || || || Telugu||

|-

| Poḍaganṭimayyā Mimmu Puruṣōttamā <br/>పొడగంటిమయ్యా మిమ్ము పురుషోత్తమా || Mohanam || Adi || || Telugu||

|-

| Śrimannārāyaṇā Śrimannārāyaṇā Nī Śrīpādamē Śaraṇu <br/>శ్రీమన్నారాయణ శ్రీమన్నారాయణ నీ శ్రీపాదమే శరణు || Bowli || Adi || || Telugu||

|-

| Rajīva Nētrāya Raghavāya Namō<br/>రాజీవ నేత్రాయ రాఘవాయ నమో || Madhyamavathi || Khanda Chapu || K. J. Yesudas|| Sanskrit||

|-

| Ramacandruḍitaḍu Raghuvīruḍu <br/>రామచంద్రుడితడు రఘువీరుడు || || || || Telugu||

|-

| Siruta Navvulavāḍu Sinnakkā <br/>సిరుత నవ్వులవాడు సిన్నక్కా || || || || Telugu||

|-

| Ṣōḍaśa Kaḷānidhiki Ṣōḍaśōpacāramulu<br/>షోడశ కళానిధికి షోడశోపచారములు || || || || Telugu||

|-

| Tvamēva Śaraṇam <br/>త్వమేవ శరణం || || || || Telugu||

|-

| Vandēhaṁ Jagadvallabhaṁ

వందేహం జగద్వల్లభం

| Hamsadhvani || Khanda Chapu || || Sanskrit|| In praise of Venkaṭēśvara

|-

| Vandē Vāsudēvaṁ Śrīpatiṁ <br/>వందే వాసుదేవం శ్రీపతిం|| Sri || Khanda Chapu || || Sanskrit||

|-

| Vēḍukondāmā Vēṅkaṭagiri Veṅkaṭēśvaruni Vēḍukondāmā <br/>వేడుకొందామా వేంకటగిరి వేంకటేశ్వరుని వేడుకొందామా || || || || Telugu||

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| Vinnapālu Vinavale Vintavintalu <br/>విన్నపాలు వినవలె వింతవింతలు || || || || Telugu||

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అన్నమయ్య పాటలు (All Annamayya songs lyrics in Telugu Script)

See also

  • List of Carnatic composers
  • Annamacharya sankeertana
  • List of composers who created ragas

References

Further reading

  • Jackson, William. 'Religious and Devotional Music: Southern Area' (1999). In
  • Sri Annamacharya Project of North America
  • Sri Venkateswara Annamacharya Society of America