thumb|Bookcase, 1830-40, probably from New York, maker unknown. [[Rosewood, mahogany, Bird's eye maple veneer, marble, ormolu, and leather. In the collection of the Cincinnati Art Museum]]
American Empire is a French-inspired Neoclassical style of American furniture and decoration that takes its name and originates from the Empire style introduced during the First French Empire period under Napoleon's rule. It gained its greatest popularity in the U.S. after 1820 and is considered the second, more robust phase of the Neoclassical style, which earlier had been expressed in the Adam style in Britain and Louis Seize, or Louis XVI, in France. As an early-19th-century design movement in the United States, it encompassed architecture, furniture and other decorative arts, as well as the visual arts.
In American furniture, the Empire style was most notably exemplified by the work of New York cabinetmakers Duncan Phyfe and Paris-trained Charles-Honoré Lannuier. Other major furniture centers renowned for regional interpretations of the American Empire style were Boston, Philadelphia, and Baltimore. Many examples of American Empire cabinetmaking are characterized by antiquities-inspired carving, gilt-brass furniture mounts, and decorative inlays such as stamped-brass banding with egg-and-dart, diamond, or Greek-key patterns, or individual shapes such as stars or circles.
The most elaborate furniture in this style was made around 1815-25, often incorporating columns with rope-twist carving, animal-paw feet, anthemion, stars, and acanthus-leaf ornamentation, sometimes in combination with gilding and vert antique (antique green, simulating aged bronze). The Red Room at the White House is a fine example of American Empire style. A simplified version of American Empire furniture, often referred to as the Grecian style, generally displayed plainer surfaces in curved forms, highly figured mahogany veneers, and sometimes gilt-stencilled decorations. Many examples of this style survive, exemplified by massive chests of drawers with scroll pillars and glass pulls, work tables with scroll feet and fiddleback chairs. Elements of the style enjoyed a brief revival in the 1890s with, particularly, chests of drawers and vanities or dressing tables, usually executed in oak and oak veneers.
This Americanized interpretation of the Empire style continued in popularity in conservative regions outside the major metropolitan centers well past the mid-nineteenth century.
Gallery
<gallery class="center" widths="150px" heights="200px">
Pier table MET DT172.jpg|Pier table, Joseph B. Barry and Son, Made in Philadelphia, Pennsylvania, 1810–15
Sideboard Table MET 199015 2.jpg|Sideboard Table, Charles-Honoré Lannuier, Made in New York, New York, 1812–19
Side chair MET DT4498.jpg|Side chair, Attributed to Charles-Honoré Lannuier, Made in New York, New York, 1815–19
Pier table MET DP109805.jpg|Pier table, Charles-Honoré Lannuier, Made in New York, New York, 1815–19
Pier Table MET DP-15306-001.jpg|Pier Table, Charles-Honoré Lannuier, Made in New York, New York, 1815–19
Sideboard Table MET ADA3197.jpg|Sideboard Table, Made in New York, New York, 1815–20
Work Table MET ADA291.jpg|Work Table, Made in New York, New York, 1815–20
Pier Table in the Neo-Classical Taste MET DP324536.jpg|Pier Table, Attributed to Duncan Phyfe, Made in New York, New York, 1815–25
Card table MET DT3927.jpg|Card table, Charles-Honoré Lannuier, Made in New York, New York, 1817
Sofa MET DP-12204-001.jpg|Sofa, Made in Boston, Massachusetts, circa 1820
Clevelandart 1971.29.jpg|Sofa, Made in New York, New York, circa 1820
Chair (USA), 1820–25 (CH 18328789).jpg|Side Chair, 1820–25
Pier Table MET DP115572.jpg|Pier Table, Holmes and Haines, Made in New York, New York, 1820–25
Unknown artist - Console Table - 1975.117 - Cleveland Museum of Art.jpg|Console Table, 1820–30
Card Table MET DP232793.jpg|Card Table, Attributed to the Workshop of Duncan Phyfe, Made in New York, New York, circa 1825
Center Table MET DP255652.jpg|Center Table, Made in New York, New York, 1825–30
Pier table MET DP207665.jpg|Pier table, Made in New York, New York, 1825–30
Secretary-bookcase MET 49M 224R3.jpg|Secretary-bookcase, Possibly by Robert Fisher, Made in New York, New York, 1825–35
Clevelandart 1981.65.jpg|Pier Table, Joseph Meeks and Sons, Made in New York, New York, circa 1829–35
Pier Table MET DT5332.jpg|Pier Table, Joseph Meeks & Sons, Made in New York, New York, 1829–35
Side Chair MET DP254173.jpg|Side Chair, Possibly from the Workshop of Duncan Phyfe, Made in New York, New York, circa 1830
Fall-front Secretary MET DT5342.jpg|Fall-front Secretary, 1833–ca. 1841
Secretary Abattant MET DP171117.jpg|Secrétaire à abattant, Attributed to the Workshop of Duncan Phyfe or attributed to Duncan Phyfe & Sons, Made in New York, New York, 1835–47
Side Chair MET Plate 46R3 24C.jpg|Side Chair, Attributed to Workshop of Duncan Phyfe, Made in New York, New York, circa 1837
Couch MET figure 178R7 24B.jpg|Couch, Attributed to the Workshop of Duncan Phyfe, Made in New York, New York, circa 1837
Clevelandart 2000.72.jpg|Sideboard and Cellarette, Duncan Phyfe and Son, Made in New York, New York, circa 1840
Side Chair (USA), ca. 1840 (CH 18312467).jpg|Side Chair, circa 1840
Chair (USA), ca. 1840 (CH 18312463-2).jpg|Armchair, circa 1840
</gallery>
See also
- Federal furniture
- Lighthouse clock
- Classical American Homes Preservation Trust
References
- Furniture - Empire style, buffaloah.com.
