Albert Sorel (13 August 184229 June 1906) was a French historian. He was nominated for the Nobel Prize in Literature nine times.
Life
He was born at Honfleur and remained throughout his life a lover of his native Normandy. His father, a rich manufacturer, wanted him to take over the business but his literary vocation prevailed. He went to live in Paris, where he studied law and, after a prolonged stay in Germany, entered the Foreign Office (1866). He had strongly developed literary and artistic tastes, was an enthusiastic musician (even composing a little), and wrote both poetry and novels (La Grande Falaise, 1785–1793, Le Docteur Egra in 1873); but he was not a socialite. He was the first cousin to the philosopher Georges Sorel.
Academic life
Anxious to understand present as well as past events, he was above all a student. In 1870 he was chosen as secretary by M. de Chaudordy, who had been sent to Tours as a delegate in charge of the diplomatic side of the problem of national defence. He proved a most valuable collaborator, full of finesse, good temper, and excellent judgment, and at the same time hard-working and discreet. After the war, when Emile Boutmy founded the Ecole libre des sciences politiques (which later became the Institut d'Etudes Politiques de Paris or, as it is more widely known, Sciences Po). Sorel was appointed to teach diplomatic history (1872), a duty which he performed with striking success. Some of his courses were converted into books: Le traité de Paris du 20 novembre 1815 (1873); Histoire diplomatique de la guerre franco-allemande (1875); and the Précis du droit des gens which he published (1877) in collaboration with his colleague Theodore Funck-Brentano. His object was to repeat the work already done by Heinrich von Sybel but from a less restricted point of view and with a clearer and calmer understanding of the chessboard of Europe. He spent almost thirty years in the preparation and composition of the eight volumes of this diplomatic history; volume 1 appeared in 1885; volume 8 in 1904.
He was not merely a conscientious scholar; the analysis of the documents, mostly unpublished, on French diplomacy during the first years of the Revolution, which he published in the Revue historique (vol. v.-vii., x.-xiii.), shows with what scrupulous care he read the innumerable despatches which passed under his notice. He was also, and above all things, an artist. He drew men from the point of view of a psychologist as much as of a historian, observing them in their surroundings and being interested in showing how greatly they are slaves to the fatality of history. It was this fatality which led the rashest of the Conventionals to resume the tradition of the ancien régime, and caused the revolutionary propaganda to end in a system of alliances and annexations which carried on the work of Louis XIV. This view is certainly suggestive, but incomplete; it is largely true when applied to the men of the French Revolution, inexperienced or mediocre as they were, and incompetent to develop the enormous enterprises of Napoleon I. and the historian Yusuf Akçura.