A Passion Play is the sixth studio album by British progressive rock band Jethro Tull, released in July 1973 on Chrysalis Records.

Following in the same style as the band's previous album Thick as a Brick (1972), A Passion Play is a concept album comprising individual songs arranged into a single continuous piece of music (which was split into two parts across the original vinyl release's two sides). The album's concept follows the spiritual journey of a recently deceased man in the afterlife, exploring themes of morality, religion and good and evil. The album's accompanying tour was considered the high water mark of Jethro Tull's elaborate stage productions, involving a full performance of the album accompanied by physical props, sketches and projected video.

A Passion Play was negatively received by critics upon its initial release. However the album was a commercial success, becoming Jethro Tull's second number one album in the United States. The album has since received a more positive critical reassessment, and has become a cult favorite among some fans of the band.

Background

Following the release of the critically and commercially successful Thick as a Brick in 1972, Jethro Tull made the decision to record their next album at the Château d'Hérouville studios in Hérouville, France, known in the 1970s for being frequented by artists such as Pink Floyd, Elton John and T. Rex. The band were persuaded by their management and accountants to record their next album in tax exile outside of the UK in order to avoid what Anderson described as "a pretty scary tax regime" of the time. The band planned to make a double album, with concepts as varied as the meaning of life, music criticism and the comparison between the man and animal world.

Upon arrival at the Château, however, the band faced a variety of challenges which made the recording sessions difficult, ranging from technical issues with the studio equipment to bug-infested beds and food poisoning epidemics, causing Anderson to give the Château the nickname "Château d'Isaster" The album is notable for heavily featuring soprano saxophone played by Anderson, often in place of his famous flute playing. Anderson expressed distaste for the instrument, saying that "It wasn't difficult to learn to play it a bit, but I didn't practice enough, I wasn't trained and it hurt my lip. I hated the fiddling about with reeds, the fact that it was all wet and soggy, straight off I really didn't enjoy playing the instrument." A Passion Play is described in its album liner notes as though it were a staged theatrical "play" in four acts. Of this album, "the lyrics themselves are extremely complicated, the story is often unclear, and much is left to the individual's interpretation". A basic narrative plot can be loosely interpreted from the lyrics, liner notes, and "programme" of A Passion Play, centering on everyman protagonist Ronnie Pilgrim, who is named only in the programme.

Anderson described his conceptual inspiration for A Passion Play as: